Performance and Director

A airor is in charge of every last(predicate) aspects of the production, a conductors job is to tie up totally performance element to dispirither. The theatre director must have vision of how should the feature moves, the lighting that help enhance the mood of the play, the quite a littles and props. As an Actor we much find problem such as, dont know how to affectation our hand, where to stand and which way to walk. We are locomote in the stage, because we are not sure what our role is. Then it is the directors role to direct and told the actor what to do so they will not be floating anymore.First the director have to read and understand the script, know what is the gist of the play, understand each character in the play so that he or she domiciliate make choice or decision during rehearsal. The future(a) step is to take time off rehearsal. managing director have to position actors on stage. ordinarily the director will decide where is the 5 acting area, but it canni ster be more. For example for realistic play, the 5 acting area can be sofa, kitchen, dining table, bed, beside window, and etc. A director will start to draw the set in a groundplan. When a play is say by a salutary director, the audience wont get distracted by something or someone else on the play.A good director can provide concentrate of the play, where the audience should see and focus on. If the audience get distracted or confuse during the play, its the directors fault. A play is symbolic, its artificial. All the elements of the play on the stage is symbolic. The actor represent another person on the stage. The set and probs is symbolic too, because it represent the chair in the play storyline. Then why people go to see a play? Because we can subsume the play to us in the real world. hear pointing is using disparate form from traditional As an actor physically awkward,dunno wat to do with hand. View pointing help or not? at is d intention, wat d director want us to do. Ans viewpointing tu diff approach. View pointing tu, dr awal acara gk ad plot,cuma ad movement. Director Dont make movement that is not important how to conclude problem tgn yg gk tau taru dimn. Kenapa tgn kita tak tau mau ngap. karna kt gk yakin apa yg harus kt lakukan, gk yakin ttg role mrk. Role,space, body. Viewpointing is using different from from traditional Collaborative-haresh sharma messy al-Qaida of my knowledge from blabla 5acting areas. Provide the focus, if audience distracted with someone else, dont put that on purpose. Directors fault. A PLAY IS artificial.