Chris Dunbar Professor James English 101A 14 October 2003 Citizen Kane: Intrusion of concealing The movie, Citizen Kane, gave its audience many interesting and creative shots and icons. It was able to card peoples minds and was far ahead of its time as far as special effects are concerned. All of the fancy and dreaded shots that the movie has do raise a question though. The photographic television camera was able to go e trulywhere whether thither was a timber or not. The camera was the sole graphic symbol that truly had its sustain unique characteristics. What if the media was actually able to thump into someones personal conduct now as well as it did in the film. The kickoff example of this intrusion of privacy is frozen in the premier(prenominal) chapter of the movie. I call the scene a chapter because scenes in a DVD version of the film are called chapters, therefore I will now call each scene a chapter since I watched the DVD version of the movie. In the very b lood of the first chapter the camera shows an iron fence with a dogged backdrop. On the fence in big, bold earn is the enounce NO TRESPASSING, this gives the feeling to the audience that guests might hope to work out back to where they came.
The camera only hesitates motivation enough to withdraw the singularity and then proceeds to go over the sign and into the property. The camera then proceeds, without interruption, to Mr. Kanes personal bedchamber in his palace. The camera is the only one in the direction with Mr. Kane as he utters his last words. Rosebud is less read from the lips of the fugacious ma n as the camera is so close you rouse count! the provide on Mr. Kanes moustache. Another example of the medias... If you want to get a encompassing essay, order it on our website:
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